Analysis out of the box

3 keys to understanding South Korean contemporary art

Analysis out of the boxContemporary Art | The 2016 Art Paris Art Fair highlights South Korean contemporary art, bringing together the work of some 70 historical, renowned and emerging artists. Appreciating the specificity of Korean production means plunging into a symbiotic back-and-forth between history and geography, culture and economy, tradition and ultra-modernity, isolation and diversity. Here are three key concepts for understanding Korean art now.

Vue de l’exposition “Lee Ufan, Versailles”, Château de Versailles, 2014 © Lee Ufan  Photo. Tadzio Courtesy the artist, kamel mennour, Paris and Pace, New York
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Vue de l’exposition “Lee Ufan, Versailles”, Château de Versailles, 2014
© Lee Ufan Photo. Tadzio Courtesy the artist, kamel mennour, Paris and Pace, New York

Resilient identity

Contemporary Korean art is an aggregate of the nation’s history, geography and politics. After a student-led popular uprising, democracy is ushered in with the adoption of a new constitution in 1987. The country swiftly throws off 40 years of dictatorial rule, a long period of Japanese colonization (1905-45), and a stint as a Cold War hotspot where Eastern and Western blocks had divided the territory into a Moscow-dominated north and a Washington-influenced south. The scar formed by the border zone between the two Koreas transforms the South into an insular political space, with a surprising capacity for reinvention.
In the span of a few decades, the country moves from agrarian self-sufficiency to a […]

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Vue de l’exposition “Lee Ufan, Versailles”, Château de Versailles, 2014 © Lee Ufan  Photo. Tadzio Courtesy the artist, kamel mennour, Paris and Pace, New York Leeum, Samsung Museum of Art © Tous droits réservés Vue de la Hyundai Gallery © From artnet.com Données géographiques © DR Nam Kwan, Untitled, 1966 © Courtesy of Galerie Sabine Vazieux Installation view of solo exhibition, “Allusion“, Gallery Simon, 2013 © Courtesy Gallery Simon Choi Jeong Hwa, KABBALA, Daegu Art Museum, Daegu, Korea © Image courtesy of Daegu Art Museum Lee Kun Yong, The Method of Drawing 76-3-08-01(For Women), 2008 © Courtesy of the artist & the UM Gallery Heryun Kim, Six Lillies (Series), 2015 from the exhibition ‘Sphères 8’, GALLERIA CONTINUA / Les Moulins, France, 2015 © Courtesy Heryum Kim and 313 ART PROJECT, Seoul, Korea - Photo Oak Taylor-Smith Installation view of Nam June Paik exhibition ’When He was in Seoul’ at the Hyundai Gallery © Courtesy Hyundai Gallery Installation view of Towards an island, 2012 at Daegu Art Museum © Courtesy Daegu Art Museum ’Dansaekhwa and Minimalism’ Installation view, 2016 at Blum & Poe, Los Angeles © Courtesy Blum & Poe Gallery, Photo: Joshua White ’Ecriture (描法) 1967-1981’, Park Seo-Bo : Curated by Katharine Kostyál © The artist. Photo © White Cube (George Darrell) Parvis de la Biennale de Gwangju - Corée du Sud © DR

Vue de l’exposition “Lee Ufan, Versailles”, Château de Versailles, 2014
© Lee Ufan Photo. Tadzio Courtesy the artist, kamel mennour, Paris and Pace, New York

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