Permanent contributors

The permanent contributing team filters and analyzes the influx of information and cultural data, imaging the interference of other domains, such as science, finance, economics and global cartography. They propose exclusive content, keeping a distance from current events.

Nina Rodrigues-Ely
Contemporary Art Consultant - Editorial Director
Nina Rodrigues-Ely, contemporary Art Consultant - Editorial DirectorEditorial director, specialist in contemporary art and the art market. Anticipating the profound mutations in the contemporary art ecosystem, she founded the Observatiore de l’art contemporain in 2006, a prospective platform for decoding, analyzing and advising, that has developed an editorial pole with a digital review dedicated to decoding as well as an agency. She teaches on the contemporary art market and contemporary art at the INSEEC Business School, participates in the IESA development comity, in addition to working with Drouot Formation.
Valentin Heinrich
Sociologist
Valentin Heinrich, sociologistWorking from the Sociology department of Paris-Sorbonne University, Valentin Heinrich has been interpreting trends in the contemporary artistic sphere for several years. After specializing in art history, with a Master’s degree from the Chinese University of Hong Kong, he started focusing on the evolution of local cultural identities which are influenced by the Asian creative scene. Back in Paris, he pursued his work with a sociological research about building a reputation in the contemporary art market.
Vincent Kozsilovics
Art market online & digital art specialist
Vincent Kozsilovics, art market online & digital art specialistPassionate about new information technology and communication, as well as new modes of art diffusion, Vincent Kozsilovics observes mutations in the art market as it moves from the real to online dematerialization.
Adelie de Soumagnat
Adelie de Soumagnat, With a degree from SOAS in London and Sciences Po Paris, Adélie de Soumagnat has been living between France and Kenya for the past 10 years, where she has been working in the NGO and cultural fields. She worked at the African Artists for Development foundation, for which she collaborated on the  contemporary African art exhibition Lumières d’Afriques in 2015. More recently, she contributed to the book What People Wear in Kenya, published in 2019 by Kodoji Press and worked for the European Nomadic Biennial Manifesta in Marseille. 
Virginie Bertrand
Communications, Fashion & Art Consultant
Virginie Bertrand, communications, Fashion & Art ConsultantHer specialty : reflecting and acting on brand images with a transversal and multi-channel approach where art is integrated as a source of content. She taught strategic marketing in art at the INSEEC from 2012 to 2014.
Pauline Lisowski
Pauline Lisowski,
Maud Maffei
Artist
Maud Maffei, artist (Being Translated) Maud Maffei est artiste diplômée de la Villa Arson (DNSEP, 2010) et docteur en histoire de l’art avec une thèse sur l’œuvre de l’artiste américain Robert Smithson, Robert Smithson et la cybernétique : langage, technologie et abstraction menée entre Paris et Berlin (Université Paris 8 Vincennes Saint-Denis - Freie Universität Berlin, 2016). En pratique comme en théorie, elle s’attache aux enjeux perceptuels des nouvelles technologies, aux bouleversements temporels et tactiles qu’elles induisent, traçant des ponts entre les disciplines et les périodes historiques.
» Maudmaffei.com
Jeanette Zwingenberger
Art critic and Art historian
Jeanette Zwingenberger, art critic and Art historianJeanette Zwingenberger Ph.D. is an art historian, member of the AICA (International Association of Art Critics), and an independent curator based in Paris. Actually, she teaches at the Université Paris 1 Panthéon-Sorbonne.
She collaborates for art das Kunstmagazin, Artpress, L’œil and http://www.observatoire-art-contemporain.com.
She has organized exhibitions and interdisciplinary art programs on the topics : Visual perception, Languages, Environment and Cannibalism and works with several private and public institutions : Deutsches Museum, Munich, The Palais de Beaux-Arts (Lille), The Galeries Nationales du Grand Palais (Paris), Pavillon de l’Arsenal, the Fondation Hippocrène (Paris), La maison Rouge Fondation Antoine de Galbert (Paris), Me Collectors Room, Thomas Olbricht, Berlin Stiftung Genshagen (Berlin), Kunsthalle Dominikanerkirche (Osnabrück), 54th Biennale di Venezia (Venice), Museum of Modern Art (Moscow), ARTPORT_making waves, curated by_Vienna, artfactory, Istanbul, Galerie Priska Pasquer, Köln. Antarctic Biennale.
Her field of investigation also covers architecture, design as well as new trends with artists working with perfumers, sounds, beekeepers and textiles.
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