Trend in sight

The São Paulo Bienal attempts the unknown

Contemporary Art | With a title articulated around vanishing points - « How... things that don’t exist » - the 31st Sao Paulo Biennale opens an intergenerational dialogue between artists on the fleeting present moment, seeing itself as the start of a long process of activism aiming to change values.

Biennale de Sao Paulo © Vincent Kozsilovics pour l’Observatoire de l’art contemporain
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Biennale de Sao Paulo
© Vincent Kozsilovics pour l’Observatoire de l’art contemporain

The Sao Paulo Biennale is a collective effort conceived by a team of 5 curators, lead by Charles Esche (London), Galit Eilat (Israel), Nuria Enguita Mayo (Spain), Pablo Lafuente (London) and […]

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Version française

Biennale de Sao Paulo © Vincent Kozsilovics pour l’Observatoire de l’art contemporain Sandi Hilal, Alessandro Petti & Grupo Contrafilé (Brésil) - Mujawara, 2014 © Photo: Vincent Kozsilovics Mujeres Creando (Bolivie) - Space to Abort, 2014 © Photo: Vincent Kozsilovics Bik Van der Pol (Pays-Bas) - Turning a Blind Eye, 2013 - 2014 © Photo: Vincent Kozsilovics Qiu Zhijie - Map, 2014 / Credit Photo : Dimensao de Ideias © Photo : Vincent Kozsilovics Juan Carlos Romero (Argentine) - Violence, 1973 - 1977 © Photo: Vincent Kozsilovics Danica Dakic (Bosnie-Herzégovine), Vila Maria (video), 2014 © Photo: Vincent Kozsilovics Voluspa Jarpa (Chili)- Learning Histories, 2014 © Photo: Vincent Kozsilovics Edward Krasinski (Pologne) - Spear and other works, 1963-1965 © Photo: Vincent Kozsilovics Walid Raad (Pologne) - Letters to the Reader (1864, 1877, 1916, 1923), 2014 © Photo : Vincent Kozsilovics Giuseppe Campuzano (Pérou) - Transvestite Museum of Peru (detail), 2009-2013 © Biennal de Sao Paulo Asier Mendizabal (Espagne), Agoramaquia (The Exact Case of the Statue), 2014 © Photo: Vincent Kozsilovics Tiago Borges (Angola) & Yonamine - AfroUFO, 2014 © Foto: Sebastiao Moreira © dpa Ines Doujak & John Barker - Loomshuttles, Warpaths, 2009-ongoing © Biennale de Sao Paulo

Biennale de Sao Paulo
© Vincent Kozsilovics pour l’Observatoire de l’art contemporain

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